{"id":101,"date":"2014-06-09T09:59:41","date_gmt":"2014-06-09T09:59:41","guid":{"rendered":"http:\/\/1606.dk\/base\/?p=101"},"modified":"2018-07-02T13:35:18","modified_gmt":"2018-07-02T13:35:18","slug":"rodloes","status":"publish","type":"post","link":"https:\/\/1606.dk\/base\/?p=101","title":{"rendered":"RODL\u00d8S"},"content":{"rendered":"<p><strong>RODL\u00d8S \/ WAYWARD<\/strong><br \/>\nDanish shortfilm (2014)<\/p>\n<p>Produced at Gammeltoft ApS. with support by Commissioning Editor Marie Schmidt Olesen, New Danish Screen \/The Danish Film Institute.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/106294021?byline=0&amp;portrait=0&amp;color=ffffff\" width=\"950\" height=\"460\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/103998624?byline=0&amp;portrait=0&amp;color=ffffff\" width=\"950\" height=\"460\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Wayward is a teen drama, about exploring and challenging boundaries in search for identity. Alex&#8217;s identity as a tomboy is challenged from within and by her peers. She is 14 years old and her body is undergoing changes, yet she continues to insist on the tomboy identity.<\/strong><\/p>\n<p><a href=\"http:\/\/www.ekkofilm.dk\/artikler\/fra-tomboy-til-malk-de-kojn\/\" target=\"_blank\"><strong>Article<\/strong> in the Danish Filmmagazine &#8211; Ekkofilm &#8211; including an interview with Kira Richards Hansen about her work with actress Rosalina and the two first productions in the series with her (Damn Girl and Malk de Koijn\/musicvideo).<\/a><\/p>\n<p><a href=\"http:\/\/www.ukfilmreview.co.uk\/#!Wayward-short-film-review\/cu0l\/56757f860cf28854b38c90cd\" target=\"_blank\"><strong>Short Film Review<\/strong> of Wayward by Monica Jowett \/ UK Film Review<\/a><\/p>\n<p><a href=\"http:\/\/www.ukfilmreview.co.uk\/#!Damn-Girl-short-film-review\/cu0l\/566434410cf21dcdb62fea41\" target=\"_blank\"><strong>Review<\/strong> of Damn Girl by Monica Jowett \/ UK Film Review<\/a><\/p>\n<p>Avialable on online international streaming platforms:<\/p>\n<p><a href=\"https:\/\/www.feelmakers.com\/en\/videos\/13183\/wayward\" target=\"_blank\" rel=\"noopener\"><strong>Feelmakers<\/strong><\/a><br \/>\n<a href=\"https:\/\/wayward1.vhx.tv\/buy\/wayward-2?referrer=http%3A%2F%2Fwayward.dk%2F\" target=\"_blank\" rel=\"noopener\"><strong>VHX<\/strong><\/a><br \/>\n<a href=\"https:\/\/embeds.distrify.com\/payment\/4io6F8\/en?impression_uid=4cMkbc\" target=\"_blank\" rel=\"noopener\"><strong>Distrify<\/strong><\/a><\/p>\n<p>Available on geoblocked danish streaming platforms:<\/p>\n<p><a href=\"http:\/\/biblioteket.filmstriben.dk\/film\/9000001387\/rodlos\" target=\"_blank\" rel=\"noopener\"><strong>Filmstriben<\/strong><\/a><br \/>\n<a href=\"http:\/\/filmcentralen.dk\/alle\/film\/rodlos\" target=\"_blank\" rel=\"noopener\"><strong>Filmcentralen<\/strong><\/a><\/p>\n<p>PRODUCER Pelle Folmer &amp; Thomas Gammeltoft<br \/>\nDIRECTOR Kira Richards Hansen<br \/>\nSCRIPT Signe S\u00f8by Bech<br \/>\nSALES &#038; DISTRIBUTION by 1606 ApS.<\/p>\n<p>Wayward [Rodl\u00f8s] is a sequel to Damn Girl (fucking t\u00f8s). More info about Damn Girl can be found on it&#8217;s website. As it has only been released in cinema and television it&#8217;s not available online &#8211; but if you&#8217;re interested in a screening a cinematic \/televised screening can be arranged for. In Denmark it&#8217;s available online at <a href=\"http:\/\/filmcentralen.dk\/alle\/film\/fucking-tos\" target=\"_blank\">Filmcentralen (geoblocked outside denmark)<\/a>.<\/p>\n<p>To the shortfilm Damn Girl, a related musicvideo was shot and produced using and extending the universe of Alex (the leading role). It can be seen at youtube via this link: <a href=\"https:\/\/www.youtube.com\/watch?v=GOoRQ-_UsM4\" target=\"_blank\">Malk de Koijn (musicvideo)<\/a> <\/p>\n<p>The two shortfilms are written and directed by <strong>filmmaker duo<\/strong> of Screenwriter Signe S\u00f8by Bech and Director Kira Richards Hansen.<\/p>\n<p>For Wayward and Damn Girl the Danish Film Institute, Lisbeth Juul Sibbesen and Ditte Mejlhede have made en extensive educational material<\/p>\n<p>To read more about the title please visit imdb.com, Nationalfilmografien on dfi.dk, the website of the film or the facebook page of the film.<\/p>\n<p>&nbsp;<\/p>\n<p>DIRECTORS STATEMENT<\/p>\n<p><a href=\"http:\/\/wayward.dk\/wp-content\/uploads\/2015\/10\/RODL\u00d8S_filmens_billede.jpg\" rel=\"attachment wp-att-171\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/wayward.dk\/wp-content\/uploads\/2015\/10\/RODL\u00d8S_filmens_billede-300x169.jpg\" alt=\"WAYWARD\" width=\"300\" height=\"169\" class=\"alignleft size-medium wp-image-171\" \/><\/a><\/p>\n<p>I am interested in the ambivalent feelings that exist behind the facade. As a teenager, everything is new. There are no tools in place to deal with the new emotions. Everything is intense and overwhelming and sudden outbursts set of reactions, actions and consequences.<\/p>\n<p>None of what happens in the flm, happens out of malice. It happens because the characters lose control over internal forces that explodes into violent acts and stems from hurt feelings, reactions to the feeling of loss of control.<\/p>\n<p><a href=\"http:\/\/wayward.dk\/wp-content\/uploads\/2015\/10\/RODL\u00d8S_pressebillede10.jpg\" rel=\"attachment wp-att-180\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/wayward.dk\/wp-content\/uploads\/2015\/10\/RODL\u00d8S_pressebillede10-300x169.jpg\" alt=\"WAYWARD10\" width=\"300\" height=\"169\" class=\"alignleft size-medium wp-image-180\" \/><\/a><\/p>\n<p>When Alex cut herself, it is an attempt to feel something, to connect with herself.<br \/>\nThe intention has been to create an atmosphere, which carries the feeling of \u2019anything can happen\u2019, where the rhythm of the flm supports and highlights the ambivalent emotions of the characters and in the brief fashes expose inner frailty and make the fear of exclusion visible, all of which exist below the surface. The boundaries between illusion and reality are veiled and actual intentions thwarted and blocked by external actions and words that aim to cover uncertainty.<\/p>\n<p>It is the contrasts between the vulnerabilities and the aggressiveness, which spans the area in between the contradictions that exist between the internal and the outer facade.<\/p>\n<p>Rodl\u00f8s is about not being able to say how you feel, about wanting to reach out, but not knowing how to. The flm is also about regaining dignity after a self- efacing humiliation, to disclaim the feeling of shame and to achieve recovery by turning self-destructive inward movement of outward self-righting action.<\/p>\n<p>&#8211; <strong>Directors Statement<\/strong> by Kira Richards Hansen<\/p>\n<p>&nbsp;<\/p>\n<p>FESTIVAL AWARDS<\/p>\n<p>2014 Nordic Panorama, Malm\u00f8, Sweden \/ September \/ Best Nordic Short Film Award<br \/>\n2015 Mo&amp;Friese ChildrenShortFilmFestival, Hamburg, Germany \/ June \/ Freischwinner Award<br \/>\n2015 Festival international Signes de Nuit, Paris, France \/ November \/ the NIGHT AWARD<br \/>\n2016 Annapolis Film Festival, Annapolis, USA \/ March \/ Jury Award \u2013 Best Narrative Short<br \/>\n2016 Lakeshorts International Short Film Festival, Toronto, Canada \/ May \/ Scotiabank Award for Best Foreign Film<\/p>\n<p>FESTIVAL SELECTIONS<\/p>\n<p>2014 CPH:PIX, Copenhagen, Denmark \/ April \/ Competition + Screening in New Danish Screen program<br \/>\n2014 Buster Film Festival, Copenhagen, Denmark \/ September 12th \/ Screening w.\u2019Fucking T\u00f8s\u2019<br \/>\n2015 Clermont-Ferrand Short Film Festival, Clermont-Ferrand, France \/ January \/ Selected for the International Competition<br \/>\n2015 BUFF Film Festival Malm\u00f8, Sweden \/ March \/ Special Programme<br \/>\n2015 Athens International film and video festival, Ohio, United States \/ April \/ Official Selection<br \/>\n2015 Cannes Court M\u00e9trage, Cannes, France \/ May \/ Short Film Corner<br \/>\n2015 Amarcort Film Festival, Rimini, Italy \/ Official Selection<br \/>\n2015 Urbanworld Film Festival, New York \/ September \/ Official Selection<br \/>\n2015 Sapporo International Short Film Festival, Hokaido, Japan \/ October \/ Official Selection<br \/>\n2015 Thessaloniki International Short Film Festival, Thessaloniki, Greece \/ October \/ Official Selection<br \/>\n2015 Asiana International Short Film Festival, Seoul, South Korea \/ November \/ Selected for the International Competition<br \/>\n2015 Sleepwalkers International Short Film Festival, Tallinn, Estonia \/ November \/ Selected for the International Competition<br \/>\n2015 International Festival of Documentary and Short Film of Bilbao ZINEBI, Bilbao, Spain \/ November \/ selected for the Informative Section (out of the Competition)<br \/>\n2015 Tirana International Film Festival, Tirana, Albania \/ October \u2013 November \/ Official Selection<br \/>\n2015 International Bosphorus Film Festival, Istanbul, Turkey \/ November \/ Official Selection<br \/>\n2015 International Young Audience Film Festival Ale Kino!, Poznan, Poland \/ November \/ in Competition<br \/>\n2016 Women In Film Shorts Night, Los Angeles, USA \/ January \/ Finalist<br \/>\n2016 Online Audience Award at Short of the Year \u2013 Autumn edition \/ January \/ in Competition<br \/>\n2016 International Festival SIGNS OF THE NIGHT (Signes de Nuit), Bangkok, Thailand \/ March \/ Official Selection<br \/>\n2016 The Third Culture Film Festival 2016, Hong Kong, China \/ April \/ Official Selection<br \/>\n2016 Skepto International Film Festival, Cagliari, Italy \/ April \/ Official Selection<br \/>\n2016 International Film Festival for Children and Youth KINOLUB, Krakow, Poland \/ June \/ Official Selection<br \/>\n2016 Arroios Film Festival, Lisboa, Portugal \/ July \/ in Competition<br \/>\n2016 IndieCrete Film Festival, Crete, Greeece \/ August\/ in Competition<br \/>\n2016 Helsinki International Film Festival, Finland \/ September \/ Official Selection<br \/>\n2016 West Nordic International Film Festival, Norway \/ October \/ Official Selection<br \/>\n2016 Ekko Shortlist Awards 2016, Denmark \/ November \/ Nominated<br \/>\n2017 Bengaluru International Short Film Festival, India \/ August \/ Selected non competative screening<\/p>\n<p>CREDITS<\/p>\n<p><strong>Cast<\/strong><\/p>\n<p>Rosalina Kr\u00f8yer<br \/>\n\t\t\tFrederik Winter Rasmussen<br \/>\n\t\t\tAshcon Hamedi Nejad<br \/>\n\t\t\tAnne Sofie Espersen<br \/>\n\t\t\tGerard Carey Bidstrup<br \/>\n\t\t\tMustapha Chouaikhi<br \/>\n\t\t\tJulius Sigurd Heilmann<br \/>\n\t\t\tChristian Kajbjerg Konradsen<br \/>\n\t\t\tAnton Fogt Pedersen<br \/>\n\t\t\tChako Khoshabroo<br \/>\n\t\t\tOliver Methling S\u00f8ndergaard<br \/>\n\t\t\tRached Guerchich<br \/>\n\t\t\tThomas Biehl\t<\/p>\n<p><strong>Director<\/strong><br \/>\n\t\t\tKira Richards Hansen<\/p>\n<p><strong>Script by<\/strong><br \/>\n\t\t\tSigne S\u00f8by Bech<br \/>\n<strong><br \/>\nProducers<\/strong><br \/>\n\t\t\tPelle Folmer<br \/>\n\t\t\tThomas Gammeltoft<\/p>\n<p><strong>Cinematographer<\/strong><br \/>\n\t\t\tBrian Curt Petersen<\/p>\n<p><strong>Editor\t<\/strong><br \/>\n\t\tDorrit Andersen<br \/>\n<strong><br \/>\nProduction Designer<\/strong><br \/>\n\t\tHeidi Plugge\t<\/p>\n<p><strong>Sound Design\t<\/strong><br \/>\n\t\tRune Sand<br \/>\n<strong><br \/>\nComposer \/ Original Score<\/strong><br \/>\n\t\t\tMartin Juel Dirkov<\/p>\n<p><strong>Gaffer  <\/strong><br \/>\n\t\tTorben Brent Wenneberg\t<\/p>\n<p><strong>AD<\/strong><br \/>\n\t\t\tAnders Barlebo\t<\/p>\n<p><strong>Production Manager<\/strong><br \/>\n\t\t\tKim Hansen\t<\/p>\n<p><strong>Lighting technician<\/strong><br \/>\n\tNoah Lynnerup<br \/>\nNiclas Fusager\t<\/p>\n<p><strong>1. assistant camera <\/strong><br \/>\n\t\tMads Hoppe J\u00f8rgensen<br \/>\n\t\t\tKenneth Skovgaard Clausen\t<\/p>\n<p><strong>2. assistant camera   <\/strong><br \/>\n\t\t\tJulie M\u00f8rch Honor\u00e9\t<\/p>\n<p><strong>Property master <\/strong><br \/>\n\t\tTine Lylloff\t<\/p>\n<p><strong>Props<\/strong><br \/>\n\t\tJulie Hennecke Hartmann\t<\/p>\n<p><strong>Stylist\t<\/strong><br \/>\n\tCharlotte Faaborg<br \/>\n<strong><br \/>\nSpecial Makeup effect artist\t<\/strong><br \/>\n\t\tKim Olsson\t<\/p>\n<p><strong>D.I.T.<\/strong><br \/>\nPaula Oropeza<br \/>\nProduktionsassistenter<br \/>\n\tChris Barker<br \/>\n\t\t\tAllan Degn<\/p>\n<p><strong>Accounting<\/strong><br \/>\n\t\tAnita Boesgaard\t<\/p>\n<p><strong>Casting &#038; Coach\t<\/strong><br \/>\n\tJette Termann\t<\/p>\n<p><strong>Executive Producer<\/strong><br \/>\n\t\tMartin Kildegaard Hem\t<\/p>\n<p><strong>Extras<\/strong><br \/>\n\t\tAlisha Andersen<br \/>\n\t\t\tAmanda Hill Andersen<br \/>\n\t\t\tAnna Elling Buhl<br \/>\n\t\t\tCasper Jan Winther Lagerbon<br \/>\n\t\t\tDalia Zahle<br \/>\n\t\t\tEmilia Langkj\u00e6r<br \/>\n\t\t\tFreya Svejdal<br \/>\n\t\t\tIsabell Westermann<br \/>\n\t\t\tJulius Tuxen<br \/>\n\t\t\tMagnus Bojsen-M\u00f8ller<br \/>\n\t\t\tNicole Nielsen<br \/>\n\t\t\tRebekka Tekla<br \/>\n\t\t\tRose Rolandsen<br \/>\n\t\t\tSasha Littell<br \/>\n\t\t\tSophie Marie Munck<br \/>\n\t\t\tThea Andersen<br \/>\n\t\t\tUlrik Windfeldt-Schmidt\t<\/p>\n<p><strong>Colourist<\/strong><br \/>\n\t\t\tAnders V. Christensen\t<\/p>\n<p><strong>Visal Effects<\/strong><br \/>\n\t\tSlowmotion fx\t<\/p>\n<p><strong>Compositores\t<\/strong><br \/>\n\t\tIan Bach<br \/>\n\t\t\tTine Nikali<br \/>\n\t\t\tEjner Fergo\t<\/p>\n<p><strong>Foley studio<\/strong><br \/>\n\t\tH5 Film Sound OY Ltd.\t<\/p>\n<p><strong>Foley artist<\/strong><br \/>\n\t\tHeikki Kossi\t<\/p>\n<p><strong>Foley recordist\t<\/strong><br \/>\n\t\tPietu Korhonen<br \/>\n<strong><br \/>\nOffline edit<\/strong><br \/>\n\t\tKong Gulerod Film ApS.\t<\/p>\n<p><strong>Camera Equipment<\/strong><br \/>\n\t\tRed Rental ApS.\t<\/p>\n<p><strong>Lighting Equipment<\/strong><br \/>\n\t\tFilmgear ApS.\t<\/p>\n<p><strong>Sound Equipment\/studie<\/strong><br \/>\n\t\t\tLyddynastiet\t<\/p>\n<p><strong>Mixstudio<\/strong><br \/>\n\t\tNordisk Film Audio<\/p>\n<p><strong>Music\t<\/strong><br \/>\n\t\t\u201dRollin&#8217;\u201d<br \/>\n\t\t\tWritten &#038; performed by Felix de Luca<br \/>\n\t\t\tProduced by Aksel Toft &#038; Esben Thornhal\t<\/p>\n<p>\t\t\t\u201dPhysical Fraction\u201d<br \/>\n\t\t\tPerformed by Trentem\u00f8ller Written by Trentem\u00f8ller<br \/>\n\t\t\tP &#038; C 2005 Audiomatique Recordings<br \/>\n\t\t\tPublished by Anders Trentem\u00f8ller Administered by Ed. Babelfish \/ Freibank\t<\/p>\n<p><strong>Thank you\t<\/strong><br \/>\n\t\tMette Heeno<br \/>\n\t\t\tDorte H\u00f8eg Brask<br \/>\n\t\t\tCaroline Schl\u00fcter Bingestam<br \/>\n\t\t\tOliver Ussing<br \/>\n\t\t\tMille Haynes<br \/>\n\t\t\tSigne Mynborg<br \/>\n\t\t\tLine Nikita Blom<br \/>\n\t\t\tDennis Albrethsen<br \/>\n\t\t\tAnders Bredmose<br \/>\n\t\t\tMette S\u00f8nderskov S\u00f8rensen<br \/>\n\t\t\tAnders V. Christensen<br \/>\n\t\t\tThordis Hofdahl<br \/>\n\t\t\tNikolaj Hjelm Kaplan<br \/>\n\t\t\tMartin H\u00f8gsted<br \/>\n\t\t\tMagnus Millang<br \/>\n\t\t\tLS Auto v. Jan Pallisgaard S\u00f8rensen<br \/>\n\t\t\tBerling Autolakering v. Jimmy Berling<br \/>\n\t\t\tFris\u00f8r K v. Jannie Henningsen<br \/>\n\t\t\tFxteam v. Christian Kitter<br \/>\n\t\t\tLars Lethin<br \/>\n\t\t\tKlubben Thomas P. Hejle<br \/>\n\t\t\tKevin Bendix<br \/>\n\t\t\tLergravsparkens Skole<br \/>\n\t\t\tKevin Murphy Hair products<br \/>\n\t\t\tPellePelle<br \/>\n\t\t\tSelected<br \/>\n\t\t\tDropdead<br \/>\n\t\t\tAlis<br \/>\n\t\t\tDen2radio.dk\t<\/p>\n<p><strong>Produced by\t<\/strong><br \/>\n\t\tGAMMELTOFT APS, FIRELANE MOTION PICTURES &#038; 1606 APS<br \/>\n<strong><br \/>\nwith support by<\/strong><br \/>\n\t\tNew Danish Screen v. Projektredakt\u00f8r Marie Schmidt Olesen\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RODL\u00d8S \/ WAYWARD Danish shortfilm (2014) Produced at Gammeltoft ApS. with support by Commissioning Editor Marie Schmidt Olesen, New Danish Screen \/The Danish Film Institute. Wayward is a teen drama, about exploring and challenging boundaries in search for identity. Alex&#8217;s identity as a tomboy is &hellip; <a href=\"https:\/\/1606.dk\/base\/?p=101\" class=\"more-link\"><span>Continue reading<span class=\"screen-reader-text\">RODL\u00d8S<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[6,1],"tags":[],"class_list":["post-101","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-productions","category-watch-films","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/posts\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101"}],"version-history":[{"count":23,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions"}],"predecessor-version":[{"id":272,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions\/272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=\/wp\/v2\/media\/102"}],"wp:attachment":[{"href":"https:\/\/1606.dk\/base\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/1606.dk\/base\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}